This includes free, named-day delivery for We offer a wide range of delivery options to help fit around your busy That's why we want to make it as quickĪnd easy as possible for you to get your order, safe and sound! we believe that we stock some of the best Hi-fi spec AUX input allows an audio input source to be faithfully reproduced.Send/return and speaker output are provided.Headphone out is equipped with a cabinet simulator for realistic sound & presence.Power level control allows the volume to be adjusted while maintaining the tonal character.A proprietary bass-reflex structure delivers natural sound balance.The speaker unit is mounted from the front, providing loud, clear, and spacious sound.The cabinet is constructed with an integrated baffle for efficient sound projection.High-quality modulation, delay, and reverb effects are built-in.Four modes modify the response of the vacuum tube peripheral circuitry.Pre- and power-amp sections use the 12AX7 dual triode tube, delivering real tube sound.Eight analog preamp circuits to reproduce the sounds of eight tube amps, from clean to high-gain, with careful attention paid to circuit design and selection of parts.Do note that these settings may change how long the valves last for. These change how the valves run and how much extra saturation or headroom is available within the amp. On the power amp side you have the Bias and Reactor controlls. On the preamp side you have the commonly seen bright and fat switches which boost the high or low end respectively. Each of these also has two small switches to help you dial in the amp to your perfect tone. One that works with the preamp and one for the poweramp. The AV line of amps all have two 12AX7 tubes built in. To make sure this didn't happen Vox went back to the drawing board and came up with new Modulation, Delay and Reverb modules that can be run on any of the preamps! Now you don't need to worry about always having your pedals set up as most of the effects you need are built right in. The worst part about amps that claim to be versatile is half the time they forget about effects or if they do include them they sound terrible. As these are all 100% analogue tube powered circuits (thanks to a master 12AX7 preamp tube.) you know that the tone is going to have that warm saturation that tubes produce. With these 8 different preamps covering everything from country grade clean tones to crushing high gain that would please even the biggest of metal heads. British amps on the other hand have a lot more of a midrange boost. Normally American amps have a lot of extra lows and highs with a rolled off midrange. Most of the time these are American and British options which does make a big difference to the tone. You have two different tonal styles for each type of amplifier. Each designed afters some of the worlds most popular amps you can get a surprising range of tones without any digital modelling. The key to this amps versatility is the 8 independant analogue preamps. Rated at 15w the AV15 is the smallest of these new amps but it still packs a punch. The new AV line brings both of these sides together to make a valve amplifier with the power and versatility of a modelling amplifier. Their mid powered classic British valve amps and their small modelling practice amps made to give beginners all the tones they need at home. If you're thinking of picking up one of these amps, click on the links below to see the vast array of different Fender, Marshall, and Vox amps currently available on Reverb.Vox are well known for two types of amplifier. Watch the video above for an overview of what goes into each of these amp company's tonal reputation, and to hear Andy demo a classic example of each. That said, there remain a few classic qualities that are typically associated with each of these amp makers, and it's those qualities that often inform which of the three a burgeoning player might opt for when considering their first serious amp purchase (or any player's next amp purchase). Over the years, all three of these companies have produced a massive range of different amplifiers, and the variations between different models within each brand can be as pronounced as the differences between one brand and the others. With due deference to Mesa/Boogie, Orange, Supro, and all the rest, it was those first three brands that came of age during the height of rock music and remain indelibly etched into the genre's popular iconography. Fender, Marshall, and Vox are usually the first three brands that come to mind when guitarists think about classic guitar amplifiers.
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